Publications related to Musical notation

Hearing structure in music: An empirical inquiry into listening as representation and processing

As a universal expression of human creativity, music is capable of conveying great subtlety and complexity. Crucially, this complexity is not encoded in the score or in the sounds, but is rather construed in the mind of the listener in the form of nuanced ...

EPFL2024

MuseReduce: A Generic Framework for Hierarchical Music Analysis

Martin Alois Rohrmeier, Petter Harald Ericson

In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal r ...

Humanities Commons2023

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti

Music can be interpreted by attributing syntactic relationships to sequential musical events, and, computationally, such musical interpretation represents an analogous combinatorial task to syntactic processing in language. While this perspective has been ...

Wiley2023

The Structure of Free Polyphony

Christoph Finkensiep

The human ability to perceive and understand music is remarkable. From an unstructured stream of acoustic input it creates a wide range of experiences, from psycho-acoustic effects to emotional and aesthetic responses. One such set of phenomena is the expe ...

EPFL2023

Platform-mediated live musical performance in China: New social practices and urban cultural spaces

Mengke Zhang

This paper provides a non-Anglo-American geographical discussion of digitally mediated cultural activities. Taking China's live music industry as an entry point, we seek to theoretically and empirically understand the complex roles of digital technologies ...

2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Daniel Harasim, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Daniel Harasim, Fabian Claude Moss

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

Martin Alois Rohrmeier, Fabian Claude Moss, Daniel Harasim

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of ...

2021

The experience of musical structure as computation : what can we learn?

Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

This paper presents an overview of the epistemological grounding of the computational approach to musical syntax as a tool to advance our understanding of the cognitive underpinnings of the musical experience. From the proposed perspective, formulations of ...

2021

Learning music composition with recurrent neural networks

Florian François Colombo

Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

EPFL2021

Positioning Left-hand Movement in Violin Performance: A System and User Study of Fingering Pattern Generation

Su Li, Yi-Hsin Jen

Organizing fingerings, i.e., choosing which fingers to press on which positions and strings, is a crucial step for playing the violin. As the violin fingering comprises several components, the mapping of a musical phrase to the corresponding fingering arra ...

ASSOC COMPUTING MACHINERY2021

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Axiomatic scale theory

Martin Alois Rohrmeier, Daniel Harasim

Scales are a fundamental concept of musical practice around the world. They commonly exhibit symmetry properties that are formally studied using cyclic groups in the field of mathematical scale theory. This paper proposes an axiomatic framework for mathema ...

TAYLOR & FRANCIS LTD2020

The Tonal Diffusion Model

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...

2020

The MIDI Degradation Toolkit: Symbolic Music Augmentation and Correction

Andrew Philip McLeod

In this paper, we introduce the MIDI Degradation Toolkit (MDTK), containing functions which take as input a musical excerpt (a set of notes with pitch, onset time, and duration), and return a ``degraded'' version of that excerpt with some error (or errors) ...

2020

Voice-leading Schema Recognition using Rhythm and Pitch Features

Martin Alois Rohrmeier, Markus Franz Josef Neuwirth, Christoph Finkensiep, Ken Jacques Alfonso Deguernel

Musical schemata constitute important structural building blocks used across historical styles and periods. They consist of two or more melodic lines that are combined to form specific successions of intervals. This paper tackles the problem of recognizing ...

ISMIR2020

The perceptual relevance of balance, evenness, and entropy in musical rhythms

Steffen Alexander Herff

There is an uncountable number of different ways of characterizing almost any given real-world stimulus. This necessitates finding stimulus features that are perceptually relevant - that is, they have distinct and independent effects on the perception and ...

ELSEVIER2020

Prefrontal High Gamma in ECoG Tags Periodicity of Musical Rhythms in Perception and Imagination

Steffen Alexander Herff

Rhythmic auditory stimuli are known to elicit matching activity patterns in neural populations. Furthermore, recent research has established the particular importance of high-gamma brain activity in auditory processing by showing its involvement in auditor ...

2020

Lyrics-Conditioned Neural Melody Generation

Simon Canales, Yi Yu

Generating melody from lyrics to compose a song has been a very interesting research topic in the area of artificial intelligence and music, which tries to predict generative music relationship between lyrics and melody. In this demonstration paper, by exp ...

SPRINGER INTERNATIONAL PUBLISHING AG2020

Harmonic Syntax in Time: Rhythm Improves Grammatical Models of Harmony

Martin Alois Rohrmeier, Daniel Harasim

Music is hierarchically structured, both in how it is perceived by listeners and how it is composed. Such structure can be elegantly captured using probabilistic grammatical models similar to those used to study natural language. They address the complexit ...

ISMIR2019