Concept
In geometry, a golden rectangle is a rectangle whose side lengths are in the golden ratio, , which is (the Greek letter phi), where is approximately 1.618. Golden rectangles exhibit a special form of self-similarity: All rectangles created by adding or removing a square from an end are golden rectangles as well. A golden rectangle can be constructed with only a straightedge and compass in four simple steps: Draw a square. Draw a line from the midpoint of one side of the square to an opposite corner. Use that line as the radius to draw an arc that defines the height of the rectangle. Complete the golden rectangle. A distinctive feature of this shape is that when a square section is added—or removed—the product is another golden rectangle, having the same aspect ratio as the first. Square addition or removal can be repeated infinitely, in which case corresponding corners of the squares form an infinite sequence of points on the golden spiral, the unique logarithmic spiral with this property. Diagonal lines drawn between the first two orders of embedded golden rectangles will define the intersection point of the diagonals of all the embedded golden rectangles; Clifford A. Pickover referred to this point as "the Eye of God". The proportions of the golden rectangle have been observed as early as the Babylonian Tablet of Shamash (c. 888–855 BC), though Mario Livio calls any knowledge of the golden ratio before the Ancient Greeks "doubtful". According to Livio, since the publication of Luca Pacioli's Divina proportione in 1509, "the Golden Ratio started to become available to artists in theoretical treatises that were not overly mathematical, that they could actually use." The 1927 Villa Stein designed by Le Corbusier, some of whose architecture utilizes the golden ratio, features dimensions that closely approximate golden rectangles. Euclid gives an alternative construction of the golden rectangle using three polygons circumscribed by congruent circles: a regular decagon, hexagon, and pentagon.
