Concept
Giuseppe Maria Alberto Giorgio de Chirico (ˈkɪrɪkoʊ , ˈdʒordʒo de ˈkiːriko; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace. After 1919, he became a critic of modern art, studied traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work. Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. His mother was a baroness of Genoese and Greek origins (likely born in Smyrna) and his father a Sicilian barone born in Florence from a family of Greek descent (the Kyriko or Chirico family was of Greek origin, having moved from Rhodes to Palermo in 1523 together with 4,000 other Greek Catholic families, and its members had almost completely moved to Tuscany in the early 17th century). De Chirico's family was in Greece at the time of his birth because his father, an engineer, was in charge of the construction of a railroad. His younger brother, Andrea Francesco Alberto, became a famous writer, painter and composer under the pseudonym Alberto Savinio. Beginning in 1900, de Chirico studied drawing and painting at Athens Polytechnic — mainly under the guidance of the Greek painters Georgios Roilos and Georgios Jakobides. After Evaristo de Chirico's death in 1905, the family relocated in 1906 to Germany, after first visiting Florence. De Chirico entered the Academy of Fine Arts in Munich, where he studied under Gabriel von Hackl and Carl von Marr and read the writings of the philosophers Friedrich Nietzsche, Arthur Schopenhauer and Otto Weininger.
