Concept
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. The Palladian style was also widely used throughout Europe, often in response to English influences.
