Concept
Les Cahiers de la photographie, published between 1981 and 1994 was a French magazine devoted to photography with the goal of promoting criticism of contemporary photography. Les Cahiers de la photographie, modelled on the earlier Cahiers du cinèma and published by Laplume and the Association de critique contemporaine en photographie (ACCP), was a review of critical and theoretical works on contemporary photography, the first of this period in France from 1981 to 1990, earlier than and running contemporary with, La Recherche photographique which covered the full duration of photographic history. The magazine emerged in a lively decade for the medium and its critique, breaking with strong traditions of the Beaux Arts in France which had hindered photography's acceptance as a legitimate subject of art historical research until the late 1970s, when the first courses on the history of photography were commenced by Michel Frizot at the University of Dijon and the University Paris-Sorbonne. This late academic attention to the medium (as compared to North America, and other European countries), arriving in the early 1980s, meant that the field of photographic studies in France incorporated perspectives and methodologies outside traditional art history, including semiology (Roland Barthes), sociology (Pierre Bourdieu), and psychoanalysis (François Soulages).