Moroccan architectureMoroccan architecture reflects Morocco's diverse geography and long history, marked by successive waves of settlers through both migration and military conquest. This architectural heritage includes ancient Roman sites, historic Islamic architecture, local vernacular architecture, 20th-century French colonial architecture, and modern architecture. Much of Morocco's traditional architecture is marked by the style that developed during the Islamic period, from the 7th century onward.
Court of the LionsThe Court of the Lions (Patio de los Leones) or Palace of the Lions (Palacio de los Leones) is a palace in the heart of the Alhambra, a historic citadel formed by a complex of palaces, gardens and forts in Granada, Spain. It was commissioned by the Nasrid sultan Muhammed V of the Emirate of Granada in Al-Andalus. Its construction started in the second period of his reign, between 1362 and 1391 AD. Along with the Alhambra, the palace is part of a UNESCO World Heritage Site.
GeneralifeThe Generalife (xe.ne.ɾa.ˈli.fe; جَنَّة الْعَرِيف) was a summer palace and country estate of the Nasrid rulers of the Emirate of Granada in Al-Andalus. It is located directly east of and uphill from the Alhambra palace complex in Granada, Spain. The most commonly cited etymology for the name "Generalife" is that it derives from jannat al-‘arīf (جَنَّة الْعَرِيف) which may variously mean "Garden of the Architect", "Garden of the Artist", "Garden of the Gnostic", or even "Garden of the Flautist".
MoroccansMoroccans (المغاربة) are the citizens and nationals of the Kingdom of Morocco. The country's population is predominantly composed of Arabs and Berbers (Amazigh). The term also applies more broadly to any people who are of Moroccan nationality, sharing a common culture and identity, as well as those who natively speak Moroccan Arabic or other languages of Morocco. In addition to the approximately 37 million residents of Morocco, there is a large Moroccan diaspora.
Stucco decoration in Islamic architectureStucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque (or vegetal), and calligraphic, as well as three-dimensional muqarnas.
ZellijZellij (الزليج; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world.
Fez, MoroccoFez or Fes (fɛz; fās; fizaz; Fès) is a city in northern inland Morocco and the capital of the Fès-Meknès administrative region. It is the second largest city in Morocco, with a population of 1.11 million according to the 2014 census. Located to the northwest of the Atlas Mountains, it is surrounded by hills and the old city is centered around the Fez River (Oued Fes) flowing from west to east. Fez was founded under Idrisid rule during the 8th–9th centuries CE. It initially consisted of two autonomous and competing settlements.
Islamic architectureIslamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
AlhambraThe Alhambra (ælˈhæmbrə, aˈlambɾa ; الْحَمْرَاء) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture. The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus.
TétouanTétouan (tiṭwān, tiṭṭawan; Tetuán), also known as Tettawen, is a city in northern Morocco. It lies along the Martil Valley and is one of the two major ports of Morocco on the Mediterranean Sea, a few miles south of the Strait of Gibraltar, and about E.S.E. of Tangier. In the 2014 Moroccan census, the city recorded a population of 380,787 inhabitants. It is part of the administrative division Tanger-Tetouan-Al Hoceima. The city has witnessed many development cycles spanning over more than 2,000 years.
Revivalism (architecture)Architectural revivalism is the use of elements that echo the style of a previous architectural era that have or had fallen into disuse or abeyance between their heyday and period of revival. Revivalism, in a narrower sense, refers to the period of- and movement within- Western architectural history during which a succession of antecedent and remenescent styles were taken to by architects, roughly from the late 18th century, and which was itself succeeded by Modernism.
Mamluk architectureMamluk architecture was the architectural style that developed under the Mamluk Sultanate (1250–1517), which ruled over Egypt, the Levant, and the Hijaz from their capital, Cairo. Despite their often tumultuous internal politics, the Mamluk sultans were prolific patrons of architecture and contributed enormously to the fabric of historic Cairo. The Mamluk period, particularly in the 14th century, oversaw the peak of Cairo's power and prosperity. Their architecture also appears in cities such as Damascus, Jerusalem, Aleppo, Tripoli, and Medina.
MeknesMeknes (maknās, maknaːs; amknas; Meknès) is one of the four Imperial cities of Morocco, located in northern central Morocco and the sixth largest city by population in the kingdom. Founded in the 11th century by the Almoravids as a military settlement, Meknes became the capital of Morocco under the reign of Sultan Moulay Ismaïl (1672–1727), son of the founder of the Alaouite dynasty. Moulay Ismaïl created a massive imperial palace complex and endowed the city with extensive fortifications and monumental gates.
Rib vaultA rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers.
GranadaGranada (ɡrəˈnɑːdə ; ɡɾaˈnaða, ɡɾaˈna) is the capital city of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of four rivers, the Darro, the Genil, the Monachil and the Beiro. Ascribed to the Vega de Granada comarca, the city sits at an average elevation of above sea level, yet is only one hour by car from the Mediterranean coast, the Costa Tropical. Nearby is the Sierra Nevada Ski Station, where the FIS Alpine World Ski Championships 1996 were held.
M. C. EscherMaurits Cornelis Escher (pronˈmourits_korˈneelis_ˈesj-e-r; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints. Despite wide popular interest, Escher was for most of his life neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held. In the late twentieth century, he became more widely appreciated, and in the twenty-first century he has been celebrated in exhibitions around the world.
