Publication

Encoder and Decoder Side Global and Local Motion Estimation for Distributed Video Coding

Touradj Ebrahimi, Frédéric Dufaux
2010
Conference Papers

Abstract

In this paper, we propose a new Distributed Video Coding (DVC) architecture where motion estimation is performed both at the encoder and decoder, effectively combining global and local motion models. We show that the proposed approach improves significantly the quality of Side Information (SI), especially for sequences with complex motion patterns. In turn, it leads to rate-distortion gains of up to 1 dB when compared to the state-of-the-art DISCOVER DVC codec.

Official source

https://infoscience.epfl.ch/entities/publication/4e868630-16bd-4222-aa8f-88f4de3adfff

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Touradj Ebrahimi, Frédéric Dufaux
2010
Conference Papers

Abstract

Official source

https://infoscience.epfl.ch/entities/publication/4e868630-16bd-4222-aa8f-88f4de3adfff

About this result

Related concepts (14)

Motion estimation

Motion estimation is the process of determining motion vectors that describe the transformation from one 2D image to another; usually from adjacent frames in a video sequence. It is an ill-posed problem as the motion is in three dimensions but the images are a projection of the 3D scene onto a 2D plane. The motion vectors may relate to the whole image (global motion estimation) or specific parts, such as rectangular blocks, arbitrary shaped patches or even per pixel.

Motion compensation

Motion compensation in computing, is an algorithmic technique used to predict a frame in a video, given the previous and/or future frames by accounting for motion of the camera and/or objects in the video. It is employed in the encoding of video data for video compression, for example in the generation of MPEG-2 files. Motion compensation describes a picture in terms of the transformation of a reference picture to the current picture. The reference picture may be previous in time or even from the future.

Distortion

In signal processing, distortion is the alteration of the original shape (or other characteristic) of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel. Distortion is usually unwanted, and so engineers strive to eliminate or minimize it. In some situations, however, distortion may be desirable.

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