Concept
Euclid's Optics (Ὀπτικά), is a work on the geometry of vision written by the Greek mathematician Euclid around 300 BC. The earliest surviving manuscript of Optics is in Greek and dates from the 10th century AD. The work deals almost entirely with the geometry of vision, with little reference to either the physical or psychological aspects of sight. No Western scientist had previously given such mathematical attention to vision. Euclid's Optics influenced the work of later Greek, Islamic, and Western European Renaissance scientists and artists. History of optics Writers before Euclid had developed theories of vision. However, their works were mostly philosophical in nature and lacked the mathematics that Euclid introduced in his Optics. Efforts by the Greeks prior to Euclid were concerned primarily with the physical dimension of vision. Whereas Plato and Empedocles thought of the visual ray as "luminous and ethereal emanation", Euclid’s treatment of vision in a mathematical way was part of the larger Hellenistic trend to quantify a whole range of scientific fields. Because Optics contributed a new dimension to the study of vision, it influenced later scientists. In particular, Ptolemy used Euclid's mathematical treatment of vision and his idea of a visual cone in combination with physical theories in Ptolemy's Optics, which has been called "one of the most important works on optics written before Newton". Renaissance artists such as Brunelleschi, Alberti, and Dürer used Euclid's Optics in their own work on linear perspective. Similar to Euclid's much more famous work on geometry, Elements, Optics begins with a small number of definitions and postulates, which are then used to prove, by deductive reasoning, a body of geometric propositions (theorems in modern terminology) about vision.
